This
first field trip immersed us in the world of modern art. However with our
new found knowledge of critical analysis, we must explore the significance that
each piece represents and no longer just admire the aesthetic beauty of a work
of art. Each artist presents a form of identity to the viewer that is
historically, personally, or culturally significant. It is understood that
creating artist is a form of personal expression, but many pieces transcend
this categorization and explore how these forms of identity can take shape in
art.
Frida Kahlo's "Fulang-Chang and I" (1937) is made with oil paint on
composition board represents, a form of personal identity expressed into
painting. This painting is a self-portrait of Kahlo and her pet monkey. The
monkey was considered to be her surrogate child and reflects her personal
issues of infertility. The closeness of the two figures implies a deep relationship
and alludes to her desire for children. The piece includes depictions of the
imperfections of her own features which describe her desire to convey a great
understanding of her personal appearance; a very personal trait.

Ben
Shahn's "Handball" (1939), made with Gouache on Paperboard represents
an aspect of historical identity. Handball was a very popular sport during the
1930-40s, which is reflected in the painting. The clothing that the players
wear is indicative of that time period that has since past. The intensity of
the players lend significance to the game itself, and its historical
importance. The background buildings and advertisements give vague reminders of
its place in history.

Andrew
Wyeth's "Christina's World" (1948) made with Tempera on Panel reflects
a distinctly American cultural identity. Wyeth's cultural background is
displayed by his choice of an arid farmland in Maine as the background. The
choice of depicting a woman in the contemporary clothing facing away from the
viewer towards the dusty farmhouses of the dust bowl era allude to its cultural
significance. - this painting manages to depict a certain American farmland
quality. It showcases a woman in the contemporary clothing facing towards dusty
farmhouses of the dust bowl era. His choice of illustrating a polio stricken
girl crawling through a field attempted to honor her conquest of life. Even
though she has a debilitating illness that has significantly influence American
culture during that period, Wyeth makes a narrative on the power of Christina.
All
three of these artworks share the fact that they were made during the 30s and
40s. However, their mediums are entirely different and exemplify the different
aspects of nature they were attempting to capture. The significance of each piece
is also apparent to me, although the displayed qualities of each aspect,
historical, personal, and cultural. These essential qualities and ideas that
stood out were the reasons I placed them into their respective categories.
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